Fashion Event Reviews

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VAMFF kicked off in style this week with the highly anticipated Stage Label cultural runway show 2015, in which designers celebrated their individual style and made their unique ‘fashion fingerprint’ in the industry. Held at the beautiful waterfront docklands the event showcased eight incredibly individual and talented emerging designers from across the globe.

The spacious warehouse swiftly began to thicken up with fashion savvy associates, sipping on flutes of champagne and nibbling on appetisers; the room seething with anticipation for the upcoming showcase. Each designer revealed four or more of their designs, ranging from classic clean silhouettes to fun and gregarious garments.  Here are my fashion choices of the night.


Millicent Elizabeth

Tiffany’s collection is so versatile that you can wear from work to evening. Her designs are clean cut and exquisitely classic. Such elegant pieces for any occasion you are sure to be a showstopper. On the night I wore the Helix collar wool crepe top & Double Helix wool crepe skirt with silk lining.me and tiffAs well you can read our interview here
&
Purchase here



Ash MayBe 

Ashleigh’s plays with quirky digital and idiosyncratic prints, the collection is a colourful colour palette. I loved this fun piece from her range, the majorca dress has a lot of personality to it.  FSL-15Purchase here


Billy & Boo 

Belinda is the creator of Billy & Boo. Her collection focuses on classic and contemporary designs, using different textures and fabrics. This piece below is sophisticated and great for any special occasion out.

The pola cutout top and the junki body con skirt

FSL-34Purchase here


Braddon Tailors

Braddon Tailors suits are tailor-made to perfection. Philip Morgan creates custom-made master pieces that will fit your body like a glove.

The blue suit
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 Purchase here 


Delightful Darling

Hayleah’s garments are a celebration of fairy tales. Her creations are marvellously unique wholly inspired and based upon fairytale books. This collection was inspired by “The Folk of the Faraway Tree” by Enid Blyton.
My pick is the pixie trousers they’re very unique statement piece.
FSL-13Read our interview here

Purchase here 


Lola and Lamar 

Lola and Lamar are bold and daring brand. Their individual pieces are infleunced by the iconic1980’s and 90’s. Those of the brave hearted and who are not scared to show a little skin.

The work it suit

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Purchase here 


Love by Nathaly

Nathaly focuses on sustainable special occasion wear. She has created pieces for special occasion that you can  wear  for more than just a special occasion. This piece was definitely a stand out piece on the night.

Reversible lace-up dress

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 Purchase here 


Thea & Seera

Two sisters from Brunei Darussalam 

The fabrics they used in their collection were rich and vibrant. The lily dress not only beautifully made in this royal purple colour which I love, but the detail beading on the tenunan panelling across the chest.

FSL-19

Purchase here 

Special thanks to

Rohit- Stage Label
Dermie- Defiant Arts
Deakin film crew- Reilly, Benjamin, Luke, Serena and Reza
Tiffany- Millicent Elizabeth

xxx


 

fashion obsessionI was invited to Westfield A/W 2015 preview night event. I love winter it’s my favorite season.It allows me to layer up and wear my favorite item the classic leather jacket in the colder weather. I’ve since been stuck in two summers since I went overseas so I am waiting in anticipation for winter to arrive!The event was held in the styling suite, an exclusive room for customers to have personal styling sessions from Westfield. I found it to be an excellent venue to hold this type of event. Throughout the styling suite there were beautiful garments spread out in rows around the room. As I looked at the garments a few caught my eye that was of course the leather garments on the rack. The collections of clothing there were very captivating and interesting a very unique type that will be sure to shine through this season coming (winter).

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Kate Waterhouse & Alyce Cowell spoke about the latest upcoming trends for this season, as well questions answered by Kate herself. I also spoke to Kate during the night about up and coming trends and leather jackets!

As well we were able to have abit of fun with the outfits on display with creating our own flat lay.

Here are my favourite picks of the up-coming Autumn Winter trends for 2015!

Trend | 70’s Glamour

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Photo by: SDP Media


Trend | Military

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Photo by: SDP Media

The Mililtary look, with beautiful tailoring and structed jackets. As well a pop of colour to add. 


Trend | Nomcore

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Photo by: SDP Media

Clean and simple look, very versatile for work or weekend.


Trend | Monochrome

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Photo by: SDP Media

The Monochrome look with different leather teaxtures and layering.


Trend | Leather Layers

Mixing different textures and colours of leather together

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Photo by: SDP Media


Trend | Abstract

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Photo by: SDP Media

Abstract prints for winter with beautiful trenches for a sophisticated look

Kate also answered some questions during the night, she had explained that she loves having a wardrobe of outfits that she can go from day to night. The diversity of going straight from the office straight out to dinner. Her investment pieces are leather jackets, as Kate is very passionate about the leather trend also. A pair of ankle boots Great knits as well.

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My Flat Lay Thurley Playsuit Marcs leather jacket Marcs cigarette pant

Kate also explained how she puts her own spin on outfits, with using accessories to spice things up abit. From mixing bags, belts, statement necklaces as well as other accessories to make her own mix and swing on clothing to be unique rather then the usual. Kates style icons are the Iconic Sofia Loren followed by Kate Moss and the stylish Victoria Beckham.

Special Thanks  to Westfield xx

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Special thanks to Cassandra Pennisi For my outfit for the night
Website:www.cassandrapennisi.com.au


 

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There’s a quote from ‘A Walk To Remember’ that goes –“It wasn’t that long, and it certainly wasn’t the kind of kiss you see in movies these days, but it was wonderful in its own way, and all I can remember about the moment is that when our lips touched, I knew the memory would last forever.”

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Melbourne, Australia fashion designer Danielle Fosberry hosted “First Kiss”. Danielle explained to me before the night about what was installed for all and had given me this quote on what the night was inspired by.

Showcasing 15 designers at Melbourne renowned nightclub Room 680.

It was such an extraordinary and magical event to finish off the year. Unlike any other fashion event I have ever attended. This event was innovative and a creative one that will definitely be a memorable one to myself and all that attended.

Upon arrival anticipation and excitement was all around. Once entered the venue lights were dim and I had noticed roses hanging down around the bar, delicately wrapped around fairy lights. As I glanced around the area

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Myself with Jess

 There were different sets designs and props around, ready for each local designer to showcase their collection. The club was transformed into a studio of art.

Melbourne’s renowned make up artist Jessica Bell was one of the make up artist for the event. Creating make up looks back to back. I was able to get a sneaky peak to see her backstage! Which was great to see her style and techniques in action.


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The event showcased 15 different local designers. Ranging from students to graduates from various fashion schools in Melbourne. From short captivating performances and pop up installations that stimulated all senses through audio, visual and emotion.

firstkissoneEach designer had different unique pop-up show installations that expressed each designer’s concept. Every performance was so different and unique in everyway. Each collection was presented in a timely order. One would finish and another would start there was never a dull moment at this event.

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     I felt different emotions and mesmerized by the performance art pieces that were on display that night. All eyes were on each performance, as you were not able to take your eyes off the garments throughout the show.

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As I wrapped up for the night, walking outside in the brisk night warm air. The event left an everlasting impact on me not only creativity inspired but memorable, as I reminisced about it during the night just like my first kiss…..

SHOWCASING DESIGNERS

Danielle Fosberry, 
Ruskin Black, 
Jacinta Raquel
, Morgan Jia, 
Natasha I’Anson, 
Evaleen Motoska
, Debbie Yann, 
Yang TC 
Casey Demko,
 Nathaly Munoz, 
Laura Brennan,
Miranda Dickinson, 
Adriana Maiolo, 
Michelle Rand 
and Emma Zammit
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I interview some of the designers that contributed in the event .Check them out, as they express their idea concepts and how they went about their collection.

DANIELLE FOSBERRY

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How did you all come up with the idea and concept for this event? 

We wanted to create a very fun, performative and interactive fashion event. As most of the ideas and concepts become lost when presented on a runway.

We wanted to give local talents around Melbourne the chance to collaborate on an event, as we feel that the possibilities are endless through collaborations, as everyone has such amazing ideas.

It’s not everyday that you find an organization or venue that is willing to help support and promote local talents. Room680 has put their complete faith in everyone involved and has encouraged everyone to be as creative as they would like.

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What year are you currently in at RMIT?

 I have just completed my 3rd year of the RMIT’s Bachelor of Design (Fashion) Honours and will be entering my final year as of March.

I have previously graduated from the RMIT Diploma of Advanced Fashion Design and Technology (as mentioned above) at the Brunswick campus, then transferred over to the Honours Degree.

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With your collection, how long did it take you to create?

My collection consists of various pieces that I have created over my last 2 years of the RMIT City degree. Over the past few weeks, I then created various add-on garments to create entire looks.

 Did you have a theme for the collection you presented at the event? 

I personally did not have a theme in mind for my collection, as my style is constantly changing.

I guess you could say that this collection is quite tailored, structured and slightly dark. It seems to be the style of clothing I have been attracted to lately. However, most of my work tends to consist of leather and structured silhouettes.
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What are your future goals and dreams for the fashion industry?

I would ideally love to intern overseas for a large international label, possibly then work for them for a couple of years and then eventually start my own label. Fingers crossed!

 Advice for anyone who is currently studying fashion?

Studying fashion requires a lot of hard work and dedication. You’re not ‘just sewing’ or ‘just drawing pretty pictures’ which is the opinions I often hear. If you love it and enjoy it, then hang in there as there will obviously be some tough moments, but it’s definitely worthwhile.

Personally I have used uni as an advantage to experiment with my creativity, innovation and ideas. It’s a period where I can be as crazy as I’d like, without worrying about hitting sales targets and a large consumer base, which is expected once you enter the industry


JACINTA RAQUEL

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I am currently studying Bachelor of Fashion Design (Honours) at RMIT University, in the city campus. I have just completed my 3rd year and will be working on my final graduate collection next year in 2015.

What was your theme for your collection? How did you come up with the idea to use the materials you used and why?          

My theme was all about the fascinating changes in nature- emphasizing the journey from caterpillar to chrysalis (cocoon) and finally to butterfly. Therefore; I wanted to use materials, textures and colours which embodied this poetic story of a shift in structure, form, colour and persona. To show the varying tones within nature’s creations- I hand-dyed the green fabric used in the first caterpillar dress which exposed pattern and added depth and dimension; bringing the ‘creature’ to life!

To mimic the texture of the caterpillar. I used a heat gun to create bubbled shibori on the green gown. The chrysalis garments signified the ethereal, delicate stage of the butterfly encased in the cocoon, vulnerability represented in the sheaths of tulle, delicate and transparent, sheer fabrics which encased the female form. Lastly, the butterfly garments were uplifting and vivaciously coloured – using patterns, structural forms and feathers to symbolize this new-found form that has just hatched and has been freed!

Another contributing factor to the materials used in my designs; was the ease of movement that I had to ensure I provided for the models and dancers, especially.

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What was the process for creating your garments?

In my fashion practice, process to me is just as vital; if not more important than the final product. The process of design is magical when I let my imagination go wild and pages come alive.. When fabric is manipulated and a transformation of shape and form takes place…and when a thought finally comes into fruition! It is why I am a designer.

For this collection, I was under time pressure- having only about a week and a half to produce five out of the six garments I showcased. I began by trawling through my visual inspiration books filled with my research on metamorphosis. Sourcing the fabrics and trims sparks more inspiration as to what to create; and I begin to drape on the stand. I use quite an organic, spontaneous approach to design- surrendering to where the process takes me- often simultaneously working between draping on the stand to flat pattern-making and sketching. I used a mixture of hand-stitched finishes and details; as well as machine-made.

My design process/philosophy

‘A single thought: a seed of inspiration sown, lovingly nurtured from paper to fabric until it blossoms into a beautiful, honest reflection on life itself’

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Explain your idea and inspiration to have your collection presented so theatrical?

I wanted to design a collection that will take the audience on a transformative journey of profound change; representing the transient beauty of nature through wearable art. A dreamlike concoction of vivid colours and inspired textures to let one’s imagination take flight…. representing the metamorphosis of a caterpillar to butterfly in an out-of-the-ordinary way. It had an important narrative to tell and I wanted the audience to really connect and feel. Fashion has the capability to move people…if you let it!

I find awe and wonder in the simplest things in life; and wanted to produce a show that emphasises the often dismissed changes in the world that surrounds us- resulting in a more theatrical, exaggerated show. I have a background in the performing arts- and I thought that an event like ‘First Kiss’ would be the perfect opportunity to combine my two passions! I teamed my wearable art, conceptual garments with an evocative mix of contemporary and lyrical dance to portray mood. I believe that music and dance is incredibly expressive- the idea of movement can speak louder than words and can entrance one into a fantastical world! I wanted the garments themselves to have a personality- each portraying the three stages of metamorphosis: the quirky, elegant caterpillar, to the whimsical, delicate nature of the chrysalis….to the beautiful vibrancy of the newly freed butterfly. When the model or dancer put on the garment; my aim was for them to embody the character through how the garment made them feel.

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And lastly what do you eventually want, to create your own label or work for a label

In the future, I endeavour to create my own fashion label. It’s something that I have dreamed of since I was young. I am a very individual person and would love the freedom to establish my own unique mark in the local and international fashion industry. However, when I graduate I hope to travel overseas and work within the industry for other labels first to gain experience and skills that I hope to apply to my own label someday.

Follow my design journey on Facebook:

https://www.facebook.com/pages/Jacinta-Raquel-JR-Design/617266008292167

or www.jacintaraquel.com (website currently being updated- under construction)

Jacinta Raquel- JR Design


CASEY  DEMKO

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You’ve graduated rmit with two courses under your belt and you specialise in wool construction!

Tell us what does that entail? And when and how did you know you wanted to specialise in that area?

I’ve graduated from two RMIT courses. The first I completed was the Associate Degree in Fashion Technology where I made the choice I become a knitwear major. I carried that through to my second course where I completed the Bachelor of Applied Science (Fashion Technology). At the beginning of the first course students we offered the choice to do main stream or the knitwear component after industry feedback to the university said there was a lack of skill in this area. I’ve always loved knitting, my grandmother taught me when I was young so I decided why not learn the industrial side of things. I am of the first ever to graduate from the knitwear major, I’m one of only 6. It’s similar to the main stream course however it’s more specialised and at certain times we had more classes and I feel, a heavier workload… But that’s just personal opinion!

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what inspired your collection? And during the event how did you come about your garden theme? It was so adorable I loved it!

Thank you! Last year I visited Monet’s garden in France on a study tour with uni. I fell in love with the beauty and vibe of the place. while it was so visually rich there was this overwhelming feeling that I just can’t describe, it was luscious, full of time and just gorgeous. I used this inspiration an earlier collection which was actually lingerie and then carried it through to the dresses you seen on the night. I also drew inspiration from traditional handcrafts such as crochet, beading and of course knitting. As I have a strong passion for handcrafts it is always present in all my collections.

I was fascinated by your story on your crochet daisy dress, what inspired you to do this

At the begging I was really suffering from a creative block, one day I was experimenting crochet flowers to create earrings, and I just thought if I could crochet a lot of then why not make a dress? And really that’s how it come about, it sort of just hit me…

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What pros and cons did you encounter while creating such a beautiful piece?

When I’m asked this it’s easy to think of the cons, being an end of year piece for uni I found it quiet stressful. The dress is made from over 450 crochet flowers with a Swarovski crystal attached to the center of each and I had to work solely to tight dead lines as well as create the other pieces and of course all the rest that goes with completing an assessment. The pros are obviously the beauty of it. Hand made is always precious and while at times I did find it stressful it was worth it, I completed it… I made something timeless and gorgeous and that I’m extremely proud of.

During the night you explained to me how you added the metallic yarn within your dress, explain to everyone how you did this?

For this particular dress I created it on an industrial knitting machine which I worked closely with a knitwear technician to achieve. The metallic yarn is called lurex, which I used in a technique called plating. The dress was made using a whole garment machine- which means it literally came off the machine as a finished garment. So anyway, plating is achieved by running two end of lurex through the machine keeps on the inside of the fabric that is being knitted. We call this side the technical back. For the teapot motifs the stitches are reverse so that the backside comes through the front as so the silver picture of a teapot appears. It can be difficult to describe without using knitwear lingo, which won’t make sense to people with no industrial knit knowledge.

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What are your future plans?

I’ve just recently moved into a studio in the nicolous building on Swanston street. My plans are to work in industry to fund my dreams of running my label Casey Marie.

What advice do you have for future students in the industry?

My advice to students is to stay positive, keep true to yourself and focus on the bigger picture of getting yourself to where you want to be.

Special thanks to Danielle Fosberry 

Jacinta Raquel Casey Marie Demko xxx


Photo Credit 

Defiant Arts

Michael Woods Photography

Shaun Photography


headerI was invited to attend Kangan Institute end of year Fashion Graduate event. Being a former student of Kangan it was great to attend and feel welcomed once again. The event was held at the famous and well-known Federation Square, the section it was held in was a very spacious area known as the Deakin Edge. A number of well-known industry based fashion designers and people of the fashion industry community also attended the event to show support to the students and their pieces.photo 1.PNG

Pop Art / modern art was the theme of the artwork pieces inside the venue. Pop Art is a movement that appeared in the mid 1950’s in Britain. Pop Art is a form of “comic based” looking Art. The artwork was very impressive and was created by the Visual Merchandise students of Kangan.

Jersey PairStudents were waiting in anticipation to show off their collection pieces. All students throughout  the year levels were able to participate and show their collections. The music starts and the parade begins! Models gracefully parade the runway showing off the students remarkable pieces.Steph Bull Wool 1Steph

Millie_Louis 1Millie O’Toole

Showcasing a range of different fabrics and colour palettes. Garments ranged from swimwear, race wear all the way to bridal. Then expression clothing of their individual collection ideas. Millinery students also contributed to the event as well.

grace pairgrace 1Grace Price The runway was styled by high profiled stylist Franco Schifilliti for the event. I was impressed by all the pieces and what will be coming up in the future with this great marvelous talent that is on hand. Students with the most impressive and talented work were awarded vouchers and great opportunities with internships from Sussan and Perri Cutten just to name a few. All in all I was very impressed and will be eager to see these talented designers on our Australian market and what next years event will hold, as it is constantly growing and improving.

Amy Bridal (2)Amy Lawrance

Steph Nardella Steph Nardella www.kangan.edu.au


Kangan  Students Interviews

Please take the time and read the students intriguing interviews. They express a lot of knowledge of what they have learnt during their time at Kangan and their student experience at Kangan Institute

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You’ve completed your advanced diploma of design at Kangan Tafe, tell us more about your experience with Kangan and what you have achieved since attending Kangan?

When I first visited Kangan three years ago I immediately fell in love with the atmosphere of the whole place, it felt like the teachers actually knew the students on a personal level and really cared about your work and the direction you wanted to take, regardless of what it was. And that was definitely proved to me over all the years that I have studied there. Each teacher has so much industry knowledge its ridiculous!

I began my diploma barely being able to sew a straight line and after three years I can now safely say that line is so straight there wouldn’t be a dry eye in the whole sewing room!

Kangan also encourages all students to participate in design competitions and many of the briefs they set for assessment are detailed to certain competitions. I have been lucky enough to receive a sustainable practices award from a TISA competition where I dyed organic fabric with onion skins, and more recently had three of my graduation collection pieces showed and MSFW.

Our Advanced Diploma class also got the opportunity to go to Jogjakarta for two weeks in July, to study the traditional technique of Batik. This was one of the best experiences of my life, the teachers and students we worked with were some of the most kind and generous people I have ever met. And the incredible things we learnt will forever be useful to me.

Our class left with an abundance of knowledge and a friendship that will last a lifetime.

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How did you come up with the idea to use the materials you used and why? Did you have a theme as well?

The theme for my Graduation collection was based on Fashion Illustrators and their use of watercolour. I love how unpredictable and unique every drawing is and that you just never really know how the colours will mix or where they will land on the page. I wanted to translate that concept into effortless Resort wear pieces. I love simplistic designs that are easy to wear but still have that exciting element that makes you want to never take it off.

I used a combination of silks, linen and techno spandex, all of which I hand dyed. I decided to hand dye my pieces instead of having them printed because I wanted a challenge and a chance to experiment with a field I am growing a great interest in. And a challenge is exactly what I got, it was so different for every piece and I definitely got better and allowed more freedom for every garment.

What was the process for creating your garments?

For me this was the hardest thing to do. I had several different ideas for my collection, and had to really narrow down what I wanted to do. I did trials, tests, sketches and research and finally come up with something that I loved and then hated and then fell in love with all over again! I feel it’s an idea I can continue to develop and grow with the use of different fabrics and dyes, it’s a collection where the ideas and possibilities are endless.

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What are your goals would you like to be an independent brand or work for a brand?

My goals for the moment is to find my place in this crazy fashion world. I love the industry and all the amazing opportunities it has to offer, but I don’t think having my own label is right for me (not just yet anyway). I’d be happy working for another brand, maybe something commercial?

Advice for anyone who is currently studying fashion?

Do exactly what you want, the fashion industry has a place for everyone and every idea you’ve just got to find where you’re meant to be!


 Millie O’Toole

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You’ve completed your advanced diploma of design at Kangan Tafe tell us more about your experience with Kangan and what you have achieved since attending Kangan.

My experience with Kangan was a three-year journey full of great opportunities; competitions, placement in the industry, runway shows, award nights, being part of MSFW, a trip to Indonesia and the amazing graduate show.

I participated in many competitions throughout first and second year winning prizes and gaining exposure.

But it wasn’t until my final year where I fulfilled every opportunity thrown my way. This included an amazing trip to Yogyakarta, Indonesia with my classmates. We studied their traditional textile design ‘Batik’ with the local students and teachers from Yogyakarta State University. We formed lifelong friendships, saw beautiful sights and gained a skill not often seen until recently.

After this trip I was chosen to show three outfits in Melbourne Spring Fashion Week- emerging student runway 1. This was an amazing experience that taught me a lot about the industry and the lead up to a show. It gave me exposure and I was then approached for a photo-shoot using my menswear outfits.

Upon completing my final year we had a graduate runway show which featured all my outfits and saw me winning not one but two amazing awards, 2014 outstanding advanced diploma student and Outstanding runway collection award.

My time at Kangan won’t be forgotten as the teachers treat you like family and as they have worked in the industry they are able to pass on great knowledge that they have learnt firsthand. Their mentoring and endless encouragement brought the best out of us all.

Millie TrioHow did you come up with the idea to use the materials you used? and why? and your theme.

I came up with my theme ‘Industrial Luxe’ due to being inspired by the industrial buckles i found at a fabric store and materials used within architecture such as concrete, metal, rubber etc.

I mixed the different textures of soft and hard through my collection with the varying materials of denim, wool coating, hand knits against the heavier fastenings such as exposed zip details and the buckles.

The materials in the collection were chosen due to the collection being a capsule collection for A/W15. They were selected due to their fibre, colour, properties and texture. All the denim was hand dyed to create the concrete look, the ombre was hand created and the bold graphic print I designed myself from an image of a concrete feature wall I mirrored several times.

I wanted my urban collection to be cohesive with the colour palette and the individual pieces to be easily mixed and matched to create a modern outfit for both men and women of Melbourne.

What was the process to create your garments?

The process begun with forecasting the trends and undergoing copious amounts of research along with sketches. This turned into many designs that had to get condensed into a five outfit capsule collection. From there I made the patterns and fitted the toiles to my fit models and finally I completed the garments after this long process.

What are your goals would you like to be an independent brand or work for a brand?

My goal for the future is to work for a brand and develop more industry skills and later in life create my own brand either on the side or as a career.

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You won not one but two amazing awards. Outstanding Runway Collection Award and 2014 Outstanding Advanced Diploma Student. How did it feel to win such prestigious awards after completing your course?

I was shocked to hear my name read out for best advanced diploma student even though I had put my blood sweat and tears into the collection and the theory work throughout the year. This is due to being surrounded by so many talented designers.

And then for my name to be read out again for the best collection of the year was honestly the best feeling. I had so many emotions circulating through my mind from shock, to excitement and extreme pride for what had accomplished.

Advice for anyone who is currently studying fashion?

Stay true to yourself


Bec Waldmeyer

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You’ve completed your advanced diploma of design at Kangan Tafe tell us more about your experience with Kangan and what you have achieved since attending Kangan. We have been offered a lot of amazing experience which being at Kangan, especially this year with doing the advanced diploma. In June we were given the opportunity to go the Indonesia for two weeks to study Batik dyeing at the Yogyakarta State University. It was an incredible trip, we learnt so much about the countries incredible culture and of course about the beautiful art of batik. We met some amazing people and we also bonded a lot as a class which has made this year even better because we are all so close now.

I was also able about to be a part of Melbourne Spring Fashion Week’s emerging runway 1 with some of my class mates. I still can’t believe I was able to be apart of it. To be able to have your garments in MSFW while your still a student is amazing! I loved every part of the experience.

I was so lucky to have the teachers that I did at Kangan, as I have learnt so much valuable knowledge from them that I will have with me forever.bechtreeWhat was your theme for your collection? My theme was called ‘Mirror Image”. It was inspired by identical twins, in particular mirror twins. I have a twin brother so that’s kind of where I got the idea from.

 

Congratulations on winning 2014 Textile innovation Award!

How long did it take you to create your collection? What was the process?

I made three digital prints and got them all printed at the hub. Laser cutting was also featured in my collection which I got made at Melbourne Laser Cutter. For my digital prints I used a photograph I took of a hydrangea in the botanical gardens. I then used photoshop to edit the photos into three different print designs using various mirroring, layering and rotating effects.

My laser cut design was inspired by the pattern of one of the three print designs. It took me a couple of days to create the prints  (from taking the photo to the finished products).

I was really happy with the results! And it was great because I was able to get it all done on shore, which was important to me.bectwo

What are your future ambitions and goals in the industry?

I would like to one day own and design for my own label, but at the moment I’m happy. I really want to be working or interning for various companies to gain as much experience as I can.

Bec was awarded with a Perri Cutten internship


Brittney Hunt

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You’ve now completed your Advanced Diploma of design at Kangan Tafe we met six months prior to your completion. What’s it like to have finished? What are your future plans?

I am super relieved to be finally finished studying, but it is sad because I am going to miss my class mates and teachers, because we have gotten so close over the past year.

As for future plans, I really just plan to get a job in the fashion industry and start at the bottom and after a lot of hard work, make it to the top.

How did you come up with the idea to use the materials you used and why? Did you have a theme as well?

I really wanted to continue with the grass weaving technique I learnt from an Aboriginal Elder. I felt so honored to be taught the technique and I felt it was imperative to continue such a raw and unique part of Australian culture in my range. I then built the collection on top of this material so I named it ‘Textured Androgyny’ because I wanted to experiment and blend a whole heap of textured fabrics together into a collection while still making it marketable to a Melbourne clientele. I also wanted to achieve subtle sexuality in this collection, by having open backs, and cross bust darts. These days women walk around with their legs, stomach and chest out to get attention from men, and I just don’t understand it. Clothing should empower women, not denigrate them.britts work

what was the process to create your garments?

It honestly starts how every other collection starts, with a sketch then a pattern and then it is sewn. It sounds quite simple when you put it like that but it’s still hours of work, but I love it all.

What are your goals would you like to be an independent brand or work for a brand?

I would love to start my own brand straight up after school but I honestly need the experience in an established design label first so I can learn in a business setting.

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You said that you wanted to create a knit wear range, tell us more.

I’m really excited about this next project of mine. Next year I will be developing a collection of high end knitwear basics, that are made and sold in Melbourne. I will be developing it on the side of hopefully getting a job in the industry but I am very confident and excited to start.


Advice for anyone who is currently studying fashion?

If you want to be in fashion for your whole life then definitely do it, but if you’re just like meh I’ll just do fashion, then don’t. I know it is a bit harsh but there is sooo much that goes into just studying fashion. People seem to glamorize the fashion industry which is fair, but there is so much behind the scenes you don’t see. It’s many hours of overtime and extremely hard work. I know it’s a bit harsh but it’s the truth.I wish anyone studying good luck and I know it’s hard right now but you will get there.


Yisha WangYW

You’ve completed your first year of your Diploma in Applied Fashion Design and Technology at Kangan. What is your current greatest achievement since attending Kangan?

I just finished my first year Diploma in Applied Fashion Design and Technology at Kangan Institute. I received Outstanding 1st Year Student 2014.  A set of marker pens and a Susan Internship. I was shocked and very happy.

How did you come up with the idea to use the materials you used and why? Did you have a theme as well?

The material I used for my dress is 100% Cotton. I followed a Tom Ford brief our teacher gave us. The theme for my dress is Diamond Rain, a myth that unicorns showers in diamond rains.photone

What are your goals for the fashion industry?

My goal is to make clothes that make people happy also as environmental friendly as possible. 

How do you keep motivated throughout your course?

Fashion is always the motivation. 


Well done to all the talented Kangan students. I wish them the best on their careers in the fashion industry!

Special thanks to

Kangan Institute,Melissa Jackson,Grace Price,Millie O’Toole,Bec Waldmeyer,Brittney Hunt and Yisha Wang

xxx


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I had the pleasure of attending Adelaide Fashion Festival 2014 last week.

I flew out from Melbourne Thursday morning to attend the events for the weekend. Adelaide has always been there as when I was a child. I would usually go with my family to vist, as my grandparents are originally from there. The beaches are always such pure bliss, the atmosphere of beach coastal lifestyle. Adelaide really does come alive during summer.

As I arrived on Thursday morning, welcomed by the beautiful sun and blissful breeze air at the airport.

That night I had the honor to attend 2014 AFF Finesse models, presents lingerie showcase present by Matrix vip event. I arrived with my cousin to attend the events with me. We both were very excited feeling the glamour and excitement I felt honored to be attending this beautiful event.

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As we arrived at the city warehouse, we were surrounded by other vip fashionistas of South Australia lining up anxiously waiting for what was in store for us. The doors opened and one by one our names were ticked off the list. I walked up the staircase upon entry leading up the gates were covered in ivory. The atmosphere of the evening was a heavenly theme covered in mystical fog with soft blue dimming lights. As we entered the foyer, we were graciously greeted by the silence of angelic angels along with the angelic sounds of the harpist playing her harp.

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The mystical fog smoke and dim blue lighting traced through into the main entrance of the warehouse. Keeping in heavenly theme, the runway was covered with dazzling glitter and white pillows of clouds hovering above the runway. By now the guest had thickened up the warehouse, with the buzz of anticipation and chatter with the sipping of flute champagne glasses.

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Once photos were taken I sat down in our front row seats awaiting for the show to begin. Suddenly, the dim lights illuminate brighter and the show begins.


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Beautiful models begin to parade gorgeous lingerie from delicate pieces to sexy get-ups.
Numerous lingerie designs were presented on the night.
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Heaven and  Hell 
Men modeled trunks accessorized with devilish horns.simoncecere-6299
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And for the FINALE….’touched by an angel’ begins to play.

The spectacular closure of the show features models flaunting angel wings, ranged from sparkles to feathers to the heavenly theme of the event.
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The showcase was astounding and breathtaking of what was fantasy lingerie. It was an amazing experience to watch such an extraordinary show, one I’ll never forget.

Special thanks to Girl About Town xxx
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https://www.stagelabel.com

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Myself & Brittney

It was an unbelievable privilege to be invited to one of Melbourne’s exclusive Fashion shows – STAGE LABEL MSFW. Collaborated with the elite A list of who’s who in this iconic industry held in the regal palace namely, the MON BIJOU overlooking Melbourne’s vivid lights.

As the elevator doors slowly opened, my eyes gazed towards the opulence of the carefully created scene. The adrelenin of countless guests waltzing around the shimmering room tapping cheek to cheek with fancy cocktails in hand to mark their territory. We were cordially welcomed by beautiful host Letitia Sindt and Liam Hall and with a gracious greeting from CEO Rohit Bhargava.

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Myself & Letitia

What made this event up close and personal was the interactive show case. Interactive you ask? Yes, guests flocked to communicate contentedly to designer’s who were mingling and happy to tell their stories around the plush busy suite. Engagement with the closeness of striking models professionally strutting on and off the narrow runway was breathtaking. The aroma of the fabrics swishing in the air as models raced past me was spectacular. The norm for these events you would be a part of the audience observing designer’s collection, not at this event, you were part of this stunning show.
Excitingly gathering my thoughts walking up the staircase, people were whooshing past to make their statements to finalize last minute details. Throughout the evening I tapped shoulders with proprietor Mike of the successful Toni and Guy salons from St Kilda and Armadale as well as the prosperous Toni and Guy team also from St Kilda and Armadale locations. Thanks to Mike a backstage VIP pass was issued to me and did I grasp the opportunity to investigate the vibe. Backstage I had the prospect to meet another icon designer, Brittany, whom I will be featuring on my blog at a later stage.

The show had begun with models boasting each designer’s unique collection gliding down the runaway. I loved every moment of this extraordinaire showcase. Each designer showcased during the evening is featured in an interview steered by ROHIT below.

About Stage Label
 Rohit Bhargava, StageLabel’s Creator and CEO, noticed countless talented designers were struggling to gain recognition in the highly competitive fashion industry. After witnessing himself that many of his peers unsuccessfully beginning their own label. Rohit had a vision and stage was born.  

launching in November 2013 StageLabel has already signed over 85 designers across Australia to it’s unique platform and will be launching international designers to our platform in the near future.

How does it work?

StageLabel provides pathways for our designers.
StageLabel connects emerging designers with a fashion forward community, who get to select which designers and garments are going to be successful on the platform, and in return, receive an early access period to pre-order limited run, custom made items as well as additional rewards and discounts for the first few backers for each Project.

It is a unique “crowd-funding for fashion” platform where fashion brands and labels can test, validate and fund individual designs from their collection, while giving members from our community access to unique, limited edition garments

Unlike traditional crowd-funding platforms, StageLabel aims to solve barriers faced specifically in the fashion industry.Where most crowd-funding platforms are used as a one-off source for an initial capital injection for a label, StageLabel helps designers test the market for individual designs from their collection pre-production

Focusing on working primarily with emerging designers,
This allows designers to be smarter with the way they invest their limited capital and by providing the funds for the entire production run by pre-selling garments, we remove all the risks associated with creating and holding a large inventory of items.

In a short time since the début Stage Label. It has quickly established itself as one of Australia’s fastest growing and most exciting start up company. Recent achievements “Top 10 start ups to watch in 2014”
Congratulations to the team. I cant wait to see this brand achieve more everyday helping others achieve their dream in the industry.



BACKSTAGE


Behind the scenes the crew from TONI & GUY.
Fresh from the UK runway hairstyles. The team did a superb job with creating all the hairstyles for the show at stage label on the night.

May I add the most friendliest hairdressers I have met. All had such beautiful personalities it was a pleasure to had met them all.
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Special thanks to CEO Rohit Bhargava for supplying me with these interviews of each desinger on the night.
Like what you see? Head to https://www.stagelabel.com/projects to purchase your favourite garments from the night!
As well all links to garments are below each photo.


Danielle Power-Silk 

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Your name:
 Danielle Power-Silk

Name of your label: Danielle Power-Silk

How the label started/ how long it has been around for:I’ve been designing since high school. I haven’t launched my label yet.

Your background: 

New Zealand fashion designer now based in Melbourne. I have shown several of my own designs at New Zealand Fashion Week with one winning a highly commended award. I have also made it to the finals in two design competitions in New Zealand.

Your inspiration/ vision behind your collection:
I have not released a collection yet. I am showing two of my designs from New Zealand Fashion Week. One of my dresses is inspired by the 1950s, my fur trim coat is inspired by Louise Brooks and Dita Von Teese, my monochrome print jacket is inspired by Chanel

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Dress: https://www.stagelabel.com/projects/danielle-power-silk/1950s-inspired-dress-by-dps

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Left Jacket: https://www.stagelabel.com/projects/danielle-power-silk/monochrome-print-jacket-by-dps
Center Coat: https://www.stagelabel.com/projects/danielle-power-silk/return-to-glamour-by-dps
Right Dress: https://www.stagelabel.com/projects/danielle-power-silk/1950s-inspired-dress-by-dps

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Left Jacket: https://www.stagelabel.com/projects/danielle-power-silk/monochrome-print-jacket-by-dps
Right Jacket: https://www.stagelabel.com/projects/danielle-power-silk/dps-blouse


Your name: Samantha Lentini

photo.

Greg and Angie Photography


Name of your label:
 s.L.c The Label

Stands for: Samantha Lentini Creative

How the label started/ how long it has been around for? 

Started working on it in Jan 2014, launched online store in June, 2014. ! !

Your background in fashion?

After graduating with a Bachelor of Design (Fashion) in 2012 at accredited Australian fashion institution RMIT, Samantha Lentini, the brains behind s.L.c, dabbled in many types of fashion. It was not until her graduate year when a like for creating fully functional clothing with slight quirky accent was discovered

s.L.c the label began its conception when a considerable gap was discovered within the Australian fashion market for flatteringly comfortable and easy-to-wear garments with an understandable price-tag.


Your inspiration/ vision behind your collection? 

Through pattern placement, fabric selection & overall cut, s.L.c seeks to create a look that is highly C.C.C: Clean, Cool & Comfortable. Furthermore, it prides itself on its highly creative design process. All prints are derived from Samantha’s original hand-drawn illustrations which have been resolved with necessary technical modifications.

This collection is heavily underpinned by three things: wearability, comfort and form. It works under the strong belief that style is & should always remain easy.

Things to not forget
My digital prints are 100% original, derived from my own hand-drawn illustrations.
I proudly manufacture in Australia

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Photographer: Stephanie Thy

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The line box crew : https://www.stagelabel.com/projects/s-l-c-the-label/the-line-box-crew

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Tee: https://www.stagelabel.com/projects/s-l-c-the-label/the-oxen-b-w-muscle-tee

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Left Tee: https://www.stagelabel.com/projects/s-l-c-the-label/the-line-muscle-tee
Center The Line Box Crew: https://www.stagelabel.com/projects/s-l-c-the-label/the-line-box-crew
Right Tee: https://www.stagelabel.com/projects/s-l-c-the-label/the-oxen-b-w-muscle-tee

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Left Tee: https://www.stagelabel.com/projects/s-l-c-the-label/the-oxen-b-w-muscle-tee
Right Tee: https://www.stagelabel.com/projects/s-l-c-the-label/the-oxen-raglan

Styling tip: Pop them on with basic bottoms (leathers, denims, marl greys) and you’re good to go!


Kev Koyu: KKOYU

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Stuz Photography


Your name :
 Kev koyu

Name of your label : Kkoyu

How the label started/ how long it has been around for :I am currently working on launching my label, as it is now progress. I have started last year after I registered as a designer at fashion gala ( butterfly foundation) charity event.

Your background: Currently studying fashion design and technology at RMIT.  I’ve realized how much I wanted this and, now, working to hopefully towards launching my label. As I am still 19 years old, I have a  lot to learn. I do not want rush into something that is beyond my reach. I am Ambitiously working hard, experiencing and learn about the fashion industry.

My vision for KKOYU is to depict modesty and sophistication. I truly believe modesty is a way of elegance and class. It is what every woman should have.  

Your inspiration/ vision behind your collection 

This mini collection is based on the inner beauty of flower. I am inspired by flower movement of wind, layers and the shaping of variety of flowers. I’ve looked into monet garden as a research.  When females wear these pieces I want them to embrace their inner beauty. regardless of age or time we should always be beautiful in what we wear, this range truly depicts the feminine nature within us.

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Left Top: https://www.stagelabel.com/projects/kkoyu/flap-stripe-t-shirt
Skirt: https://www.stagelabel.com/projects/kkoyu/monet-skirt

Center Dress: https://www.stagelabel.com/projects/kkoyu/pedal-dress
Right Dress: https://www.stagelabel.com/projects/kkoyu/panel-dress

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Left Top: https://www.stagelabel.com/projects/kkoyu/flap-stripe-t-shirt
Skirt: https://www.stagelabel.com/projects/kkoyu/monet-skirt

Right Dress: https://www.stagelabel.com/projects/kkoyu/pedal-dress

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Left Dress: https://www.stagelabel.com/projects/kkoyu/pedal-dress
Right Dress: https://www.stagelabel.com/projects/kkoyu/panel-dress

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Top: https://www.stagelabel.com/projects/kkoyu/leafy-top
Skirt: https://www.stagelabel.com/projects/kkoyu/leafy-skirt

Styling tip:
 Whilst I was designing these looks, i wanted to suit  wide range of customers. So with each garment you can dress it up or down changes to your event. A pair of suede heels and oversize coat, or nike sneakers under the pedal dress. Will look great either way.  The colour platte is neutral so embrace bright colours through your lipstick choice or accessory choices.


Ashleigh Becker: AshMaybe

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Stuz Photography

 Your name: Ashleigh Becker

Name of your label: Ash MayBe

How the label started/ how long it has been around for: Since the end of 2013, after I finished university

Your background: I have always been a creative person, but came to focus on fashion, probably because of my love for clothes. I studied at RMIT, and now have a Bachelor in Applied Science – Fashion Technology. This course gave me the skills and knowledge to start my own label.! Your inspiration/ vision behind your collection: I love working with bright coloured fabrics, and combining two fabrics within a garment. The two dresses are a perfect example of this. The t-shirt and playsuit were inspired by all the mesh that is around at the moment, and combining two textures within a garment, instead of colours.

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Dress: https://www.stagelabel.com/projects/ash-maybe/the-majorca-dress-stripes

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Garments from left to right 
Dress (sunglass print) : https://www.stagelabel.com/projects/ash-maybe/the-majorca-dress-sunnies
Playsuit: 
https://www.stagelabel.com/projects/ash-maybe/victoria-playsuit
Tee: 
https://www.stagelabel.com/projects/ash-maybe/elizabeth-tee
Dress (stripes) 
https://www.stagelabel.com/projects/ash-maybe/the-majorca-dress-stripes

A styling tip for each piece: The Majorca dresses can be worn casually on a summers day, paired with black sandals and accessories. Or dressed up for a night out, with some sleek heels, and a black clutch. Similarly, the Elizabeth Tee can be dressed up, or down. It would look great with some denim shorts, or leather-look leggings, and heels. The Victoria Playsuit is more suited as eveningwear, with some elegant heels, black clutch, and subtle jewellery.

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Left Playsuit: https://www.stagelabel.com/projects/ash-maybe/victoria-playsuit
Right Tee: 
https://www.stagelabel.com/projects/ash-maybe/elizabeth-tee


Brittney Hunt: Brittney Ann

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Stuz Photography

 

 Your name: Brittney Hunt
Label name:
 Brittney Ann

How the label started/ how long has it been around for: Brittney Ann is a relatively new label and was only started this year

Back ground: I have always been interested and intrigued by fashion and have currently studied the Advanced Diploma of fashion design and technology at Kangan Institute. When finishing school I aim to produce and sell my own brand of clothing under Brittney Ann and to eventually open up my very own shop in Melbourne.

Inspiration: I was originally inspired by texture for this collection as you can see in the velvet jackets and the dots on the minky dot dress. It was then I experimented in weaving and was taught by an aboriginal elder to weave baskets out of matt rush grass, I then interpreted this technique into my own style, hence where the grass top and hats were born. This collection is based on textural fabrics, androgynous silhouettes with elegant touches such as open backs and ambiguous darts.

Styling tips: The ready wear pieces can be styled together for day or night. With exception of the grass woven top which is an avant-garde piece and she only be worn on special occasions.


Having been told by Brittney herself backstage, about her exquisite collection she had created. I was literally blown away by her hand crafted garments & pieces  the texture and feel was divine giving it more appeal to her collection  

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Left Woven grass top: https://www.stagelabel.com/projects/brittney-ann/woven-grass-top
Pants: https://www.stagelabel.com/projects/brittney-ann/gor-pant

Right Hat: 
https://www.stagelabel.com/projects/brittney-ann/grass-hat
Dress: https://www.stagelabel.com/projects/brittney-ann/little-black-dress
Coat: https://www.stagelabel.com/projects/brittney-ann/teal-velvet-jacket 

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Dress: https://www.stagelabel.com/projects/brittney-ann/white-minky-dot-dress
Hat: https://www.stagelabel.com/projects/brittney-ann/small-grass-hat
Coat: https://www.stagelabel.com/projects/brittney-ann/velvet-coat

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Emma Lockey – EMMA LOCKEY

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Your name: Emma Lockey

Name of your label: EMMA LOCKEY

How the label started/ how long it has been around for?
This is a new start up company, launching its first collection with Stage Label during Melbourne Spring Fashion Week 2014

Fashion Background:

I am a Fashion Design and Technology student at Kangan Institute Richmond, doing my final year of the Advanced Diploma. Colour has always inspired me and I love to experiment with different textures, colours and patterns. Having grown up in Singapore i was immersed  in different cultures this influenced and inspired an oriental touch throughout most collections. I’ve always been involved in theatre – both acting and costume design which has informed my approach to fashion design – bringing  an element of the theatrical to everyday.

Your inspiration/ vision behind your collection?

Inspired by the 60s Beatle mania, flower power and a kaleidoscope of colour. This collection – Lucy in the Sky with Diamonds brings  colours and patterns inspired from the Beatles song – so Picture yourself in a boat on a river. With tangerine trees and marmalade skies. Close fitting faux suede bustier and a knit dress or top, teamed with quilted metallic highlighted separates. These combine to carry you through from  the office into the night with an exciting range of looks to make heads turn

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LSD collection is all about having fun – bringing colour to winter, and being adaptable and versatile. This collection moves from day to night and can be accessorised with casual flat shoes or heels, but pair the collection with high platforms to fully compliment its 60s origins. Similarly have fun with hair and makeup – tease up hair and line and shadow eyes to bring flower power back!! !

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Corset: https://www.stagelabel.com/projects/emma-lockey/suede-corset
Skirt: https://www.stagelabel.com/projects/emma-lockey/quilted-metallic-mini-skirt

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Corset: https://www.stagelabel.com/projects/emma-lockey/suede-corset
Skirt: https://www.stagelabel.com/projects/emma-lockey/quilted-metallic-mini-skirt

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Top: https://www.stagelabel.com/projects/emma-lockey/lucy-in-the-sky-with-diamonds-knit-top
Skirt: https://www.stagelabel.com/projects/emma-lockey/beehive-skirt
Coat: https://www.stagelabel.com/projects/emma-lockey/kaleidoscope-coat


Helani Sarath- Kumara: Gather & Stitch

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Stuz Photography

Your name: Helani Sarath-Kumara

Name of your label: Gather and Stitch

How the label started/ how long it has been around for: 
I started Gather and Stitch in 2010 about 6 months after finishing a degree in Visual Communication at UTS. In 2009 when I was visiting Sri Lanka, I was in a rural village where they did not have enough money to finish building a building to teach children (after school tuition given free of charge to monetarily disadvantaged children).  I saw this building at the time and wondered if there was anything we could do back in Australia to help out. I started planning a fashion show to raise the money and also to launch the label. I created Gather and Stitch in order to do the fashion show and it took off after that. On the 29th of August 2010, the fashion show raised $5000 (the building is finished now!) and attracted 315 guests.! !

The fashion show was co organised by my now husband, his expertise and know-how contributed heavily to its success. There was also around 52 friends who helped make that day work from sound to make-up to backstage – everything happened because of them. For the last 4 years I have created a studio from home and use this as the base for Gather and Stitch. It has grown into a couture fashion label, as well as including hair and make-up artistry as a service.! !

Your background: Background in Design – Bachelor of Visual Communication @ University of Technology Sydney. ! !

Your inspiration/ vision behind your collection: Summer sunsets, ice-cream, the beautiful ‘blues’ and ‘pinks’ the sky and ocean make at dusk.

When each garment arrived out on the runway. The elegance to each garment came alive, the beautifully textured lace garments each piece was so gently and beautifully created. It had a romantic and elegant vibe to each.

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Left Top: https://www.stagelabel.com/projects/gather-and-stitch/golden-caramel-top
 Skirt: https://www.stagelabel.com/projects/gather-and-stitch/golden-carmel-skirt

Right Top: https://www.stagelabel.com/projects/gather-and-stitch/sweet-strawberry-top 
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/strawberry-sorbet-skirt

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Top: https://www.stagelabel.com/projects/gather-and-stitch/sweet-strawberry-top
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/strawberry-sorbet-skirt

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   Left Top: https://www.stagelabel.com/projects/gather-and-stitch/sweet-strawberry-top
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/strawberry-sorbet-skirt

Right Top: https://www.stagelabel.com/projects/gather-and-stitch/strawberry-mint-top
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/mint-sorbet-skirt

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Left Top: https://www.stagelabel.com/projects/gather-and-stitch/strawberry-mint-top
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/mint-sorbet-skirt

Right Top: https://www.stagelabel.com/projects/gather-and-stitch/mint-sorbet-top
Skirt: https://www.stagelabel.com/projects/gather-and-stitch/cotton-candy-skirt

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Styling tips:

Sweet Strawberry Top with Strawberry Sorbet Skirt is Best worn – together with cream/nude heels

Sweet Strawberry Top – Can be worn as seen OR with black, white, cream, pink pants or skirt
Strawberry Sorbet Skirt – Can be worn as seen OR with tight or loose top that is plain or patterned to match
Mint Sorbet Top with Cotton Candy Skirt is best worn – together with cream/nude heels

Sweet Strawberry Top – Can be worn as seen OR with black, white, cream, pink pants or skirt

Strawberry Sorbet Skirt – Can be worn as seen OR with tight or loose top that is plain or patterned to match

 Strawberry Mint Top with Mint Sorbet Skirt is best worn – together with cream/nude heels

Sweet Strawberry Top – Can be worn as seen OR with black, white, cream, pink pants or skirt.Best worn together with gold or nude heels
Golden Carmel Skirt – best worn with Golden Carmel Top

Le blonde Fox
xx

 Special thanks to CEO Rohit Bhargava
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One thought on “Fashion Event Reviews

  1. Pingback: Westfield Event: Obsession 24/7 – A/W 2015 Preview | le BLONDE FOX

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